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Monday, April 2, 2012

Immanuel's Veins

Over the next few blog posts, I am going to post book reports that I have written. Here's the first...
Oh, and normally people save the best for last  but I can't, this is one of the BEST books ever written... ever. (Not counting the Bible, of course)

Immanuel's Veins 



            In the fictional tale, Immanuel’s Veins, author Ted Dekker explores the reason for the Cross in a roundabout way. Although I have had great pleasure in reading Dekker’s other novel’s,  I thoroughly enjoyed this story better than any other I have read. The amazingly weaved plot, spectacular imagery,  and the presentation of the gospel are the work of master wordsmith.
            Immanuel’s Veins takes place in Moldavia, in the late 1700s, following the character Toma Nicolescu and his companion. Toma is a soldier in Catherine the Great’s army and has been sent with his companion, Alek Cardei, to guard the Cantemir sisters. Against orders, Toma falls in love with Lucine, one of the sisters, but struggles between love and duty, knowing that he must fulfill the latter. Then, a suitor, Vlad van Valerik seeks Lucine’s hand, but neither she, nor Toma, feels comfortable around him. But, as Lucine feelings toward Vlad change, Toma is left at war with himself. Knowing that he loves her, he questions his motives for trying to expose Vlad. Is it jealousy or duty that is prodding him? What will he do now?
            Many of Ted Dekker’s books are dark. When asked about this, he said, “When you are trying to reach a culture that has watered down the line between good and evil, you need to paint evil with a very dark brush,” and Immanuel’s Veins doesn’t part from this trend. The plot doesn’t take as many twists and turns as he is known for writing, but that doesn’t make it  inferior to his other novels. He uses both first and third person as he penned this masterpiece.  The descriptions he presents are well-worded and not trite, “…now hot fingers snaked through her body, tingling and burning along her wounds, and then, deeper, through her veins to her extremities like molten lava finding its way through cracks and down narrow channels. It burned her fingers and her toes and it made her face hot.” Combined with these two elements of professional story writing, he presented the gospel as well, “All of the blood sacrifices, which I had always considered barbarous, suddenly made sense. That blood, however symbolic on the altar, had true power as much as evil had manifested itself in the blood of this beast. Surely this is why the Christ had bled out on that cross of torture. Not for a religion, not for Christianity or orthodoxy, but for the heart of man.”
            In conclusion, it is in my opinion that Immanuel’s Veins is a masterpiece composed of epic plot, skillful description, and beautiful gospel. I believe that it will become a classic among Christians, if not the world.

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